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Downton Abbey's Joanne Froggatt on playing a serial killer in Dark Angel. Joanne Froggatt is trading in her maid’s uniform for a poisonous teapot. The actress, who captured hearts as kindly ladies’ maid Anna on Downton Abbey, is shedding her sweet image and going dark (and brunette) for her latest role. Froggatt takes on the life of Mary Ann Cotton, the true story of Britain’s first female serial killer, in the new Masterpiece series Dark Angel, premiering Sunday at 9 p. ET on PBS (it aired in Britain on ITV last fall). Directed by Brian Percival (Downton Abbey) and written by Gwyneth Hughes (The Girls), the two- hour mini- series, based on a book by criminologist David Wilson, dramatizes the story of the notorious Victorian poisoner. Using arsenic and an unsuspecting teapot as her murder weapons of choice, Cotton killed somewhere between 1.

Jack the Ripper. Beginning with her first husband, Cotton collects life insurance on her intended victims and sinks further into a web of murder and lies as she strives to use her dark secret to build a better life for herself. EW spoke with Froggatt, who talked about switching gears to play a murderess, what attracts her to period pieces, and the psychology of female serial killers. ENTERTAINMENT WEEKLY: This is a huge departure for Downton fans who are used to seeing you as the kind- hearted Anna. Was that intentional when you were choosing to do it or something that particularly drew you to the role?

JOANNE FROGGATT: People kept saying to me when we were finishing off the last series of Downton, they just kept saying, “What do you want to do next?” And I kept jokingly saying, “Oh, I don’t know, something completely different like playing a murderer or something.” And then lo and behold, the script for Dark Angel just sort of landed on my door, and I was like, “Oh, well, here it is. Here’s what I’ve been saying I wanted to do and it’s here.” So I sort of had to put my money where my mouth was.

I just thought Gwyneth Hughes had done such a fantastic job with it. It was such a page- turner. It’s quite a difficult feat to have a protagonist in a story that does such terrible things, and the trick is, “Why do do we want to watch her? And why do we want to know what happens to her?” … It threw up a lot of questions — whether she would’ve behaved that way if she was born in our times and she had the luxury of birth control and education and a career, or was she just a psychopath and would she have always done those terrible things?

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Another way this was different for you from Downton was you got to play a character who was a real person. How, if at all, did that change your approach to and preparation for the role? And were there things you discovered that maybe weren’t foregrounded in the script but you wanted to be sure to include in your characterization? I love true stories — that’s a real passion of mine. I really like playing real people — or just real, true stories because they’re often more unbelievable than fiction actually. I think if somebody had wrote Mary Ann’s story as a piece of fiction, we’d all go, “Really?

No, I don’t think she would’ve done all that in such a short space of time.” But she did. In fact, there’s stuff we didn’t include in the show because we didn’t have enough time. When you’re playing a real person, depending on who it is, it’s a different way to research. There’s often more research at hand.

But you also have, depending on who the person is, you have some artistic license. If it’s somebody who is very famous, then obviously you have to do what people will be expecting, which is the characteristics and the accent and the voice of somebody that they know and love, which is a different sort of challenge. Somebody like Mary Ann — she’s not famous, not even in England. We know what area in England she was from, but we don’t know exactly how she spoke or how she seemed as a person. So it’s quite nice to have that freedom, but at the same time have a lot of research to go on as well. So I did a lot of research on her and then a lot of research on psychopaths in general and serial killers in general, like the differences between male and female serial killers, and just tried to build up a picture and a character that worked for our story.

· · EW spoke with Froggatt. “Why do do we want to watch her? What was the most challenging or difficult aspect of Dark Angel? It was. Watch The Guardian Angel Movie Online Free Watch The Guardian Angel 2017 Online Free Download The Guardian Angel Full Movie Streaming The Guardian Angel 2017 Watch. Watch online Dark Net 2 2017 full with English subtitle. Watch online free Dark Net 2, Abby Stein. Dark Angel 2. Eps 13.

What are some of the major differences you found between male and female serial killers? There’s an overwhelmingly larger number of male serial killers than there are female serial killers.

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There are very few females in comparison. But the general differences are that male serial killers usually murder for sexual gratification, and they usually prefer very visceral methods of murder, very messy, very gory. Women usually kill for social or financial gain. They choose very neat and tidy methods like poisoning or overdoses or smothering, and that sort of was an interesting comparison that the women are tidier than the men even in serial killer world. Mary Ann very much fitted into that mold.

She murdered for social and financial gain, and she chose neat and tidy methods. So, that was quite fascinating, why that would be in itself. And also, female serial killers don’t usually start murdering until they’re in their 3. Mary Ann completely fits into that because she murdered her first husband when she was in her early 3.

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I think she was 3. House Of Purgatory Full Movie In English. But she’d been married to him for 1. So it’s like, what happens at that age?

It’s an interesting concept to wonder — why is that? Why do they wait? Is it brewing away all that time? It’s fascinating subject matter.

You have a nice little treat for Downton fans in here – you get to work with Thomas Howes (William Mason, the footman, on seasons 1 and 2) again. What was it like reconnecting with him on set and having the chance to work together again? Oh, it was great. Thomas is so lovely. Brian Percival directed Dark Angel — he was our first director on Downton so he set up Downton. Brian called me and went, “What do you think about Thomas Howes? Do you think it’s going to be too Downton- y?” And I was like, “Oh my god, no, he’d be the perfect George.” He’s like, “That’s what I think too.” And it was brilliant, it was lovely to work with Thomas again.

He’s just so much fun. And he’s brilliant in it as well. So, it was great, it was lovely.

I’d worked with Jonas Armstrong before, who plays Mary Ann’s main love interest Joe, and I’d obviously worked with Thomas before, so it’s nice to have a few people that you’ve already got that relationship with. It means you have a shortcut when you get on set. Justin Slee/World Productions and MASTERPIECEOne thing that really stood out to me was that no matter how “evil” Mary Ann got, I always felt empathy for her in her situation. She’s horrible, but we see her motives and psychology throughout. Good, that was what we were hoping for. In your approach to her, did you feel you came to understand every time she did something? I felt for her when I read the script, so Gwyneth definitely had that in her script, and then, it was my job to come and make more of that.

Because I read the script, and I’m thinking, “God, why am I rooting for this woman that’s doing terrible things?” That’s what was interesting about it for me. As a viewer, there needs to be something in there that you are trying to understand or that you want to understand. It doesn’t mean you have to agree with the way a person’s behaving, but you have to want to know more about them to watch the show.

It’s that tricky balance of, how do we elevate that for the screen and make her a watchable person?

Dark Angel (2. 01. Certified Fresh. Movies and TV shows are Certified Fresh with a steady Tomatometer of 7. TV shows), including 5 reviews from Top Critics.